A Background to define "good" Graffiti Painting
To address these issues effectively, it is best to put you in the position of painter. Why did you bother to paint? Why put the rest of your life in second place for an art form and perfection? The most obvious answer to this question is that people need to speak. To this end, however, was not a sufficient response. Painters, dancers, writers, photographers and all express themselves. "I need to express themselves," explains the whole art, graphic or otherwise, but does not deal specifically with graffiti.
People paint graffiti, because it is a means to express themselves and build themselves well beyond the norm. As a work of art, even when they are created by law, any graffiti will have a definite advantage renegade who has been backed by years of illegal work. In creating these works of public art, graffiti artists have the level of risk and adventure, art and other things, that anyone outside the circle, we will have great difficulty understanding. It's also one hell of a lot of fun. But this barely scratches the surface of what graffiti is all perpetrators of graffiti very serious.
People have begun to practice graffiti, because by doing so they are different. However, if and when they decide to engage seriously in graffiti as a teenager more than a weekend diversion, they will realize they are not alone in doing so. There are thousands of writers dedicated graffiti all over the world. Being a local graffiti writer can create yourself a "rebel artists" drawing in the surrounding streets, but in the culture of Graffiti World, that "cool" is a standard problem. Nothing special to be a graffiti writer in a room full of graffiti! How then can we really support a true appeal of the original graffiti; to be different and be yourself?
The answer lies in understanding styles, one for each keyword graffiti understanding. Although there are many definitions of style verbose, the best I've ever heard is that the writer has a good graffiti of their own. For those outside the culture, it is unfortunately not very useful. In an effort to improve understanding of the art form inside and outside the culture, the more damage is required.
